The history of collage and the history of landscape painting are the same story. Since 1995 I have dedicated my artistic production to understanding and advocating for environmental concerns and the interconnected histories of these two genres of art production. In my drawings, collages, and assemblages, land depiction often appears in my work as marginalized or appropriated landscapes, or construct iconic “landviews.” My research-based studio practice questions the ways in which natural resources are consumed and how the surface of the planet is maintained.