Collages > Witness
Witness
Frederick Judd Waugh's 'Curling Waves' C. 1900, with a C. 1770 Chippendale Tabletop and Treetop Negative Space
2021
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 15a]
A Circa 1770 Chippendale Carved and Figured Mahogany Serpentine-Front Five-leg Card Table with Fragment from Frederick Judd Waugh's 'Curling Waves' c. 1900
[Witness 15b]
10 x 8.75 inches
2021
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 15a]
A Circa 1770 Chippendale Carved and Figured Mahogany Serpentine-Front Five-leg Card Table with Fragment from Frederick Judd Waugh's 'Curling Waves' c. 1900
[Witness 15b]
10 x 8.75 inches
Unknown Antique Decorative Serving Table with Fragments from Francis A. Silva's 'A Midsummer's Twilight,' and Albert Bierstadt's 'Western Kansas'
2021
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 14a]
A. Silva's A Midsummer's Twilight, with Tray Fragments from an Unknown Antique Decorative Serving Table
[Witness 14b]
3.5 x 6.375 inches
Albert Bierstadt's Western Kansas with Tray Fragments from an Unknown Antique Decorative Serving Table, and Some Negative Space—A Twister for Dorothy
[Witness 14c]
4.375 x 6.375 inches
2021
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 14a]
A. Silva's A Midsummer's Twilight, with Tray Fragments from an Unknown Antique Decorative Serving Table
[Witness 14b]
3.5 x 6.375 inches
Albert Bierstadt's Western Kansas with Tray Fragments from an Unknown Antique Decorative Serving Table, and Some Negative Space—A Twister for Dorothy
[Witness 14c]
4.375 x 6.375 inches
William Bradford's [Removed] Perce Rock, Belle Isle Straits with Remnants from an Unknown Table Top (As An Ode to Rothko)
2021
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 13a]
Witness 13b
An Unknown Table with William Bradford's [Placed] Perce Rock
10.5 x 8.125 inches
2021
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 13a]
Witness 13b
An Unknown Table with William Bradford's [Placed] Perce Rock
10.5 x 8.125 inches
"Extensive Landscape with a River and Mountains in the Distance," Attributed to Jacob Konica I (circa 1653) with Remnants from An Important Twelve-tile, Oak Tea Table by Gustav Stickley and Grueby Faience Company, Circa 1902
2018
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 12a]
An Important Twelve-tile, Oak Tea Table by Gustav Stickley and Gruby Faience Company, circa 1902, with Landscape Attributed to Jacob Konica I (circa 1653)
[Witness 12b]
7.25 x 7.25 inches
2018
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 12a]
An Important Twelve-tile, Oak Tea Table by Gustav Stickley and Gruby Faience Company, circa 1902, with Landscape Attributed to Jacob Konica I (circa 1653)
[Witness 12b]
7.25 x 7.25 inches
A Landscape for Mark Tansey In A George III Mahogany Library Table (circa 1790) with Thomas Cole’s, “Oxbow: The Connecticut River Near Northampton”, 1846)
2018
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 11a]
A Tabletop for Mark Tansey — George III, Library Tabletop circa 1790 Set Within Thomas Cole's, "Oxbow: The Connecticut River Near Northampton," 1846
[Witness 11b]
6.75 x 9.75 inches
2018
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 11a]
A Tabletop for Mark Tansey — George III, Library Tabletop circa 1790 Set Within Thomas Cole's, "Oxbow: The Connecticut River Near Northampton," 1846
[Witness 11b]
6.75 x 9.75 inches
In the Shadow of Man — Negative Beneath An Italian Walnut, Marquetry, Crossbanded, and Strung Side Table Set Within Regis Francois Gignoux’s “View of the Hudson River Valley” 1849
2010
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 10a]
Witness 10b
Pastoral Landscape with Side Table Still Life — Regis Francois Gignoux’s “View of the Hudson River Valley” 1849 Beneath An Italian Walnut, Marquetry, Crossbanded, and Strung Side Table
4.125 x 4.5 inches
2010
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 10a]
Witness 10b
Pastoral Landscape with Side Table Still Life — Regis Francois Gignoux’s “View of the Hudson River Valley” 1849 Beneath An Italian Walnut, Marquetry, Crossbanded, and Strung Side Table
4.125 x 4.5 inches
Unknown Landscape Witness, with Wood Door Panels from Unknown Furniture Maker’s Armoire
2006
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 9a]
Unknown Furniture Maker’s Armoire with Inset Witness Landscape Sunset By Unknown Artist
[Witness 9b]
4.5 x 3 inches
2006
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 9a]
Unknown Furniture Maker’s Armoire with Inset Witness Landscape Sunset By Unknown Artist
[Witness 9b]
4.5 x 3 inches
Unknown Landscape Witness With Negative Space of Pierre Chareau, Bureau et Tabouret, Vers 1925-30
2006
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 8a]
Pierre Chareau, Bureau et Tabouret, Vers 1925-30 with Unknown Landscape Witness
[Witness 8b]
6.25 x 4 inches
2006
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 8a]
Pierre Chareau, Bureau et Tabouret, Vers 1925-30 with Unknown Landscape Witness
[Witness 8b]
6.25 x 4 inches
Charles and Ray Eames for Herman Miller Furniture Company, Zeeland, Michigan, ‘ESU’ Storage Unit 150-C Designed 1949-50, Produced 1950-55 with Martin Johnson Heade’s "Sunrise, Florida," c. 1890-1900
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 7a]
Negative Space and Shelf of Charles and Ray Eames for Herman Miller Furniture Company, Zeeland, Michigan, ‘ESU’ Storage Unit 150-C Designed 1949-50, Produced 1950-55 Inset Into Martin Johnson Heade’s "Sunrise, Florida," c. 1890-1900
[Witness 7b]
3.125 x 6.75 inches
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 7a]
Negative Space and Shelf of Charles and Ray Eames for Herman Miller Furniture Company, Zeeland, Michigan, ‘ESU’ Storage Unit 150-C Designed 1949-50, Produced 1950-55 Inset Into Martin Johnson Heade’s "Sunrise, Florida," c. 1890-1900
[Witness 7b]
3.125 x 6.75 inches
Landscape with Table and Still Life (Figs) — “A View of Dunbarton Rock and the Clyde from Langback,” by John Knox, with Marqueterie-De-Paille Side Table by Jean-Michel Frank
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 6a]
Negative Space with Landscape (Cows) — Space left by Jean-Michel Frank’s “Marqueterie-De-Paille Side Table,” with “A View of Dunbarton Rock and the Clyde from Langback,” by John Knox
[Witness 6b]
7.25 x 4.5 inches
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 6a]
Negative Space with Landscape (Cows) — Space left by Jean-Michel Frank’s “Marqueterie-De-Paille Side Table,” with “A View of Dunbarton Rock and the Clyde from Langback,” by John Knox
[Witness 6b]
7.25 x 4.5 inches
Portable Cliffscape with Boat Still Life — “Coastal View” by Alfred Thompson Bricher on “Table Roulante,” by Eileen Gray
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 5a]
Witness 5b
Shelf Niche in Cliffscape — “Table Roulante” Top and Backboard Inset by Eileen Gray, Within A “Coastal View” by Alfred Thompson Bricher
6.875 x 3.125 inches
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 5a]
Witness 5b
Shelf Niche in Cliffscape — “Table Roulante” Top and Backboard Inset by Eileen Gray, Within A “Coastal View” by Alfred Thompson Bricher
6.875 x 3.125 inches
Landscape, Skyscape and Seascape with Table Still Life — William Bradford’s “Sunset at the Strait of Belle Isle” in a William IV Mahogany Library Table Still life, Within Norton Bush’s “Tropical River Scene”
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 4a]
Witness 4b
Negative Space with River — The Space Beneath A William IV Mahogany Library Table Within Norton Bush’s “Tropical River Scene”
4.875 x 6.375 inches
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 4a]
Witness 4b
Negative Space with River — The Space Beneath A William IV Mahogany Library Table Within Norton Bush’s “Tropical River Scene”
4.875 x 6.375 inches
Landscape, Skyscape and Seascape with Table Still Life — William Bradford’s “Sunset at the Strait of Belle Isle” in a William IV Mahogany Library Table Still life, Within Norton Bush’s “Tropical River Scene”
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 3a]
Negative Space with River — The Space Beneath A William IV Mahogany Library Table Within Norton Bush’s “Tropical River Scene”
[Witness 4b]
4.875 x 6.375 inches
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 3a]
Negative Space with River — The Space Beneath A William IV Mahogany Library Table Within Norton Bush’s “Tropical River Scene”
[Witness 4b]
4.875 x 6.375 inches
Landscape with Table and Still Life (Skull) — “A View from Richmond Hill Along The River Thames Towards Twickenham,” by Francesco Zuccarelli, with “Marqueterie-De-Paille Side Table,” by Jean-Michel Frank
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 2a]
Negative Space with Landscape (Family) — Space Left by Jean-Michel Frank’s “Marqueterie-De-Paille Side Table,” with “A View from Richmond Hill Along The River Thames Towards Twickenham,” by Francesco Zuccarelli
[Witness 2b]
7.25 x 4.5 inches
2005
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape
[Witness 2a]
Negative Space with Landscape (Family) — Space Left by Jean-Michel Frank’s “Marqueterie-De-Paille Side Table,” with “A View from Richmond Hill Along The River Thames Towards Twickenham,” by Francesco Zuccarelli
[Witness 2b]
7.25 x 4.5 inches
